Pulled Backwards and Forwards

Ink wash and brush pen sketch on watercolor paper

All of us have good days–when we feel like we are talented, intelligent and lovable. And bad days–when we feel inadequate, and unwanted. Ok, nevermind… we all have moments where we feel these things. Our days our filled with a constant switching back and forth between our “best selves” and our “worst selves”.

The “worst self” is the one who doesn’t take risks. And our “best self” has the confidence to make large leaps in life, or more importantly, has the faith to believe these risks might just pay off. When we go through any big positive change in our lives, we tune out the “worst self” and focus on a hope that things will turn out well, that we ARE adequate, smart, talented, beautiful, and charismatic. And we do have the chance to succeed.

But maybe this is one reason change is so damn uncomfortable. Because we also have something called an “upper limit problem” (Written about by Gay Hendricks in his book The Big Leap). Hendricks theorized that we have an internal thermometer of happiness. When our happiness level gets above our goal, it suddenly becomes very uncomfortable. Imagine your thermometer is set to 80º (a lovely summer day). Right now that temperature is a really high goal because you are currently living in 28º winter. As soon as you move forward in your life, getting closer to the 80º goal, your happiness increases. But once you hit 80º, you’re not sure how to absorb more happiness. Suddenly having so much success feels like a burden, and the idea of more success feels like the very scary unknown.

It makes sense to me that the “upper limit problem” is really a point we don’t let our “best selves” think beyond. When you’ve hit the day of 80º summer, your confident “best self” has no room to breath. So instead you look back towards to that “worst self” and start saying things like, “I don’t deserve to be in such a good relationship.” “I’m not myself when I’m at work; this place is too good for me.” “I must’ve lied to achieve this goal. My whole life feels fake.” And on and on.

Comfort zones apply to both fear and happiness.

So what do you do? Wait it out. Do everything to stay in the present and remember how you got here. Eventually that “best self” will open up again and set a higher goal, and you’ll be back in your “happiness comfort zone”.

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Self-Portrait of Four

We’ve all seen cartoons with the familiar angel and demon sitting on opposite shoulders, fighting over who should advise the protagonist. They illustrate an internal dialogue of a character who is deciding between something right and wrong. It’s easy to empathize with the idea of two voices in our head fighting each other. But who said these voices are distinctly “good” or “evil”?

Every day, I am struggling with wanting to do too many things with my limited time. It feels like there are 3 or 4 voices in my head yelling out suggestions, and usually they all seem pretty good. But my automatic reaction is to pick one voice to tune in to and label all of the others “wrong”. Do you do this too?

When I was a teenager, I remember hearing my parents talk about my struggle to “find myself”. They imagined I was at a huge crossroads in my life, and I interpreted this as a place where I could customize my own personality, sort of like adding toppings at a giant ice-cream buffet! (If only it was that easy.) But after hearing that “find yourself” phrase over and over, I began thinking about myself as a flat paper doll personality, always predictable and unchanging, instead of the roly-poly ball of opposites that defined my childhood self.

Now, I feel like a traitor if I do something that “Emily would not do.” But blocking out those other voices in my head has never gotten easier, especially at times in my life with great change. It becomes incredibly difficult to make decisions because there are so many directions I want to go. My personality constantly tries to return to its multi-dimensional shape.

And perhaps returning to this way of seeing ourselves is the key to understanding and seeing others. The world is full of opposites pulling and fighting each other. But inside we are all just as restless.

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Metamorphosis

I love old adventure games because doing something as silly as picking up a few rocks from the ground can be absolutely crucial to winning the game. It’s easier to find solutions in these games versus life, because your perspective is not, “I am an adventurer trapped in a forest full of monsters with no money and nothing but the shirt on my back and a handful of rocks.” Instead, you think, “Wow, some rocks! I’m sure I can use these.” Because real life has way too many rocks in it for all of them to be useful (and plenty of other useless items and experiences), we tend to never look at these mundane, or negative things as anything useful.

Metamorphoses is about transformation. It’s not about throwing out all the rocks in your life and getting diamonds handed to you. It’s about using all the things we have in our “inventory” (experiences, friends, skills… rocks) to find our way to the place we want to be, and the person we want to become.

I recently watched a video by Marie Forleo featuring Dr. Cathy Collautt about how our subconscious minds can trip us up to getting where we want to be with our careers. Collautt explained how fighting your subconscious is a losing battle because this aspect of your brain runs far more of the time that your conscious mind. Instead, it’s important to transform the goals of your subconscious mind to match your conscious desires.

Teal Swan (a well-known contemporary spiritual teacher) talks about this principle in a slightly different light. She explains how improving yourself by denying aspects of yourself that you don’t like, has been a religious tradition for hundreds of years. Instead of working with everything we’ve been given as a person–fears, bad habits, negative emotions, selfishness, and everything else “wrong”–we remove these things from our personality and go on without them in a strange dysfunctional metal state. Actually, it’s not that strange, because I’m sure you do it all the time.

All this being said, I am not a proponent for sitting still and never improving yourself or your life. But we have to learn how to go about this change in the true form of metamorphosis. Very often, our unhealthy habits or lives have something very important to say about who we are and what we want in life. Don’t be that unconscious fool who can’t figure out why his friends won’t stay, his relationships won’t last, and his jobs self-destruct. Self-sabotage is a real thing, and it’s easiest to nip in the bud when you see it staring you in the face (when most of us habitually shove into the background). Metamorphosis is about staring right back at those unhealthy aspects of ourselves until we can truly see them for what they are.

Please share your thoughts and comment! This is my first blog post like this on my public art website, and I would love to know what you think.

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Month of Love 2017

 

Week 1

“Cupid and Psyche” by Emily Marsh

Pencil and digital illustration

Created for 2017 Month of Love Secrets challenge

Here’s my first piece for this year’s Month of Love! The topic this week is Secrets, so I wanted to make a piece about Cupid and Psyche (why the heck not use Cupid in a MOL piece after all??). Long story short, Cupid married Psyche under the condition that she never see him. He wanted to keep his identity as a god secret. Psyche’s sisters convinced her to light a lamp one night to get a look at her new husband (and have a dagger handy in case he turned out to be a horrible monster). In her shock at seeing that she was in fact married to a handsome god, Psyche spilled oil from her lamp onto Cupid and he woke up… running away and leaving her, knowing the trust in their relationship was broken.

 

Week 2

“That’s How You Know” by Emily Marsh

Digital illustration

Created for Month of Love 2017 Innocence challenge

I love the movie Enchanted, and when I was working on the Month of Love challenge this week for the theme “Innocence”, I couldn’t help but think of Giselle. I love the scene where she has no idea what that “one thing” men really want is. BUT she is an expert on love advice in every other regard. This design illustrates my favorite song from the movie, and I still love to sing it on rainy (or snowy) days. This design is dedicated to my two awesome music-loving sisters. (They would be proud that I incorporated the actual sheet music into my drawing.)

 

Week 3

“Lock and Swallow” by Emily Marsh

Digital

Created for “keys” challenge Month of Love 2017

This piece illustrates an aspect of love that is often ignored–closing up your heart after being hurt. I had been studying Wylie Beckert’s card illustrations and felt inspired to create something symmetrical and reversible. Enjoy!

 

Week 4

“Metamorphosis” by Emily Marsh

Acrylic

Created for metamorphosis challenge for Month of Love 2017

Read about this piece here.

 

Week 5

“Light Love Story” by Emily Marsh

Digital

Created for Month of Love 2017 Light challenge

Sparks are flying for this lil’ fire sprite! This was a fun quick piece to do for the last week of Month of Love.

 

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New Studio

It’s been a very long time since I’ve taken the time to write… but don’t worry my persistence with art is much stronger than writing.

This summer I renovated a small house from the 1940s and have turned it into my new home. My studio is small, but much more comfortable and workable. I’m excited to see what I create from this new space. Right now I’m just catching up with commissions and small freelance jobs before I dive back into my own personal work and some bigger freelance projects.

2017 is going to be an exciting year for me, so stay tuned for a lot of new paintings and projects. Remember, you can keep up with me and my work on my blog, tumblr, facebook, instagram or twitter. (Those are updated a lot more frequently than this blog.)

Have a wonderful new year, friends!

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Paintings from Arizona

I took a week-long trip to Arizona in February. Although I didn’t have much time to draw or sketch, I took lots of photos and jotted down ideas for a series of oil paintings to begin when I got home. The color in that warm climate was such a shock to me in contrast to dreary New Hampshire. I became very interested in it, especially the harsh changes from bright orange to blue. That contrast can be seen in one way or another in all of these paintings.

 

Sedona 8×10″ oil on canvas
This is the first in my series of oil paintings from Arizona. Stay tuned, because I have another one finished and drying on my easel right now.
 

Grand Canyon 9×12″ oil on canvas

This is a combination of some of my favorite views of the canyon, with a beautiful tourist I happened to catch on camera leaning against a tree.

 

 

Petrified Wood 8×10″ oil on canvas
This is my favorite painting from my series of oils featuring Arizona. The petrified forest was stunning and eerie. 8×10″, oil on canvas.
 

 

Final Mission 9×12″ oil on panel

This was from my last night in Phoenix. I caught this mission on camera just before I went to the airport. It was closed for the evening, and caught the sunset light in a wonderfully luminescent way.

 

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Month of Love 2016

 

This is my first piece for this year’s Month of Love challenge! This piece features Hera, Greek goddess and first wife of Zeus. Hera spends most of her time in Greek mythology NOT being a protagonist. She is the angry one who is constantly scolding Zeus for marrying other women. Actually, there are very few stories about Hera herself. But this image illustrates one of these stories–her marriage to Zeus. After flatly refusing to be his wife, Zeus disguised himself as a cuckoo bird left out in the rain. Hera, full of sympathy, rescued this bird and then he transformed back into his god form. According to mythology, Hera’s kind action was enough to force her to marry Zeus anyway. See why she is always angry now?
 

I loved this Lost in Translation theme for week 2 of Month of Love. I think I’m actually going to add color to this piece later on. Stay tuned!

 

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Emily Marsh’s Illustrations on View at Wolfeboro Public Library in February

Wolfeboro artist Emily Marsh exhibits a selection of her illustrative work this month at the Wolfeboro Public Library.

On view will be paintings from her 2016 calendar, poster illustrations, and early drawings from the children’s book, Too Hot for Santa, a work done in collaboration with area playwright Bryan Halperin.

Marsh is a 24-year-old illustrator who loves to paint mermaids, fairies, elves and almost anything else that she’s never seen. This whimsical style is reflected in her colorful paintings, even when the subject matter is a poster for an Italian opera or a plate of frosted Valentine’s Day cookies. Marsh’s work takes an imaginative look at charming and mysterious subjects from both the real and the fantasy world.

The exhibit opens February 1 at the Wolfeboro Public Library and continues through the month. You can view the paintings during regular library hours: Monday through Thursday 9:30 to 8:00, Friday and Saturday 9:30 to 5:00. For more information about Emily Marsh, or to see more of her work, visit emilymarshillustration.com.

The Art Place to Exhibit Calendar Paintings by Emily Marsh

The Art Place is preparing a special exhibit for Wolfeboro’s Art Walk on Friday, November 27 from 5-8pm. Local artist Emily Marsh recently published a calendar with whimsical illustrations of New Hampshire scenes. The original paintings from the calendar will be on display at The Art Place during this month’s art walk. Passersby are welcome to stop in for a snack, enjoy the vibrant acrylic paintings, and take a look at the printed calendars, also available at The Art Place.

The original calendar paintings on display at The Art Place are colorful and detailed, showing vignettes of New Hampshire’s varied seasons. They illustrate everything from llamas at a state fair to blooming apple trees and frosted Valentine’s Day cookies. “What started it all was a sketch I made after my first day skiing this past January. I decided to turn that into a full-color painting with fun Art Nouveau-style borders and many detailed framed scenes.”

The Nouveau New Hampshire calendar is Emily’s first self-published project but this 23-year-old illustrator’s work appears in Too Hot for Santa, a children’s book by playwright Bryan Halperin, and on programs and posters for several organizations including Opera New Hampshire. Marsh is a 2014 BFA graduate of New Hampshire Institute of Art and currently works out of her studio in Wolfeboro.

During the Art Walk on November 27, Marsh will be giving an artist demonstration at Winnipesaukee Chocolates, 53A North Main Street, where she is exhibiting some of her fantasy artwork. She will also be answering questions about her crowd-funded publishing process, acrylic painting techniques, and contrasting digital painting methods.

The opening reception at The Art Place for Emily Marsh is Friday, November 27, from 5:00-8:00pm, at 9 North Main Street, downtown Wolfeboro, NH. The Art Place is open year round, and Emily’s show will continue through December 17. Besides The Art Place, the printed calendars are also available at Artisans Corner, Black’s Paper Store and online at emilymarshillustration.com. For more information, please call The Art Place–603-569-6159 or toll free 866-569-6159.

CalendarPostcard_NoBleed

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Month of Fear 2015

The month of October was very hectic for me with illustration work, but I still managed to fit in a few weeks of Month of Fear.

 

Week 1

Villians

For this challenge I got to illustrate one of my favorite books–The Picture of Dorian Gray by Oscar Wilde. I had fun with this digital painting and swapped the concept a bit; Youthful Dorian is visible through an empty frame, while aged, evil Dorian holds the frame up. I also incorporated some textures into my digital techniques, including hand-painting India ink washes.

 

Week 2

Mirrors

Although this piece is not particularly creepy, I was very excited to illustrate how perspectives (especially our perspectives of ourselves) are often warped and distorted. This piece is also a bit personal for me, because I used my younger sister as a model. She has the unnerving quality of looking identical to my younger self.

 

Week 3

Sabbath

Where might witches go on their Sabbath? For this piece I traveled to a friend’s house who has a garden labyrinth. I did some research and snapped some photos and busted this painting out in less than 24 hours. My spirit dragon paintings usually come pretty easily to me, but what really pulled this piece together was another India ink wash that added another level of encircling enchantment to the spiraling labyrinth.

 

 

 

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Hairy Cuties

I just finished this little body hair series that’s been running through my mind for the past few months. I was originally going to make these pieces entirely out of fabric and embroidery, but I found that the texture of the fabric actually took away from all the tiny hairs. I wanted them to stand out confidently, so I started again with some ink, fabric and digital.